Some even used the 1176 with the compression turned off, just for the distinctive tone it imparts. The 1176 Revision A - "Blue Stripe" Limiting AmplifierĮngineers soon found out that the 1176 also injected character, attitude, and vibe to anything run through its circuitry. Billed as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time - a mere 20 µS (.00002 seconds) at its fastest setting. The 1176 Revision "A" or commonly called "Blue Stripe" was Universal Audio's invention that really stood up to this challenge. But more about that later down this article. We want to help and in this instance, we won't be charging any money for that. After carefully selecting instruments and writing songs, the sound in hearts and minds is simply not happening.
We too are seeing more and more people reach the limits of what their hardware or software can do for their music. That's something that we at mix:analog can really identify with. Tony Maserati is a fan of the 1176 for bass, vocals, snare, drums and more They wanted to shape the sound like it has not been shaped before. But more than anything they wanted new sounds to go with the new music. Naturally this exposed many limitations of existing devices - the new generation of recording engineers wanted more headroom, more control over distortion and less noise. Records by The Beatles, The Beach Boys, Bob Dylan and many others started to push the envelope of what could be achieved with recorded sound. Recording labels and studios started springing up everywhere. Before I answer if that's possible - let's go back to the 60s when modern music production really took off for the first time.
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